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As a part of my teaching practice, through the blog Drawing Connections, I share with my students a variety of references from the field. Creativity, communication, invention, and design innovation are the broad thematic blog categories.

Monday
Jul092007

Woven Beauty Forms: Paper Weaving

This is a photo (by Kiyoshi Togashi) of a simple paper weaving technique, known as the 14th Gift, Woven Beauty Forms, developed by Friedrick Froebel, and pictured in Inventing Kindergarten, a book by Norman Brosterman.

Friedrich Froebel [1782-1852] is best known as the inventor of the kindergarten system, an educational method used a while ago to teach children between 3-7 years old. “Inventing Kindergarten is the first comprehensive book about the origin of kindergarten, a revolutionary educational program for children that was created in the 1930s by charismatic German educator Friedrich Froebel. Froebel’s kindergarten was the most successful system for teaching children about art, design, mathematics, and natural history ever devised. Kindergarten changed the world, and this book tells the story.” – Diane Ravitch, author of The Troubled Crusade: American Education 1945-1980, and former secretary, U.S. Department of Education. See, Inventing Kindergarten, by Norman Brosterman.

In the 1840s, Froebel designed a number of geometric toys, he called "gifts," as a part of his educational system, some of which include sets of blocks, stick work, rings, net drawing exercises, paper weaving, slat work, joined slats, paper interlacing, and peas work.

Upon close inspection, and with some investigation, it can be argued that Froebel’s work was incredibly influential and important to the worlds of art and architecture. As examples, upon becoming familiar with Froebel’s Gifts, see the works of any of the following artists and architects, then decide for yourself if there is a connection:
Wassily Kandinsky
Paul Klee
Frank Lloyd Wright
Piet Mondrian
Georges Braque
Le Corbusier
Josef Albers
Buckminster Fuller

See more patterns. Look at William Morris, famous designer in history. See a contemporary example of woven beauty forms in Peggy Dembicer’s work featured on Flicker and in a recent article in Make Magazine.

Froebel’s Gifts can be purchased today from a variety of sources,
http://www.froebelusa.com
Froebel USA being just one.


Check out the book, Inventing Kindergarten, by Norman Brosterman. Photograph by Kiyoshi Togashi.

Monday
Jul092007

Drawing and Painting Links

Discover twenty-three new additions to Drawing Connections in the Drawing and Painting Links section, found in the right-hand column of the blog.

Explore helpful resources, such as...
Art History Resources on the Web
Inspiration: Royal Academy of Arts Collection
Library of Congress Prints and Photographs Reading Room
Louvre Museum
The British Museum Department of Prints and Drawings

Monday
Jul092007

The Invention of Drawing: An Artist Reveals Perspective

The Getty Museum has this wonderful drawing, The Invention of Drawing, which documents one method of drawing. Illustrated here is an artist tracing the shadow of her model. Notice how the drawing is a precise rendering, done in two-point perspective. A single flame provides the light source for all of the shadows. The drawing contains a full range of values, from lightest lights to darkest darks. The horizon line, or eye level, is low, almost, if not exactly where the pencil touches the wall. Perspective lines are dramatically featured in the wall-mounted shelf, the lines of the furniture, and the stone wall grid.

Perspective drawing is a method of representing the appearance of objects, places, architecture and even people. Parallel lines are represented as converging, which gives the illustion of distance. There are many valuable sources to which one can refer in order to understand perspective. The following link is one good example that covers the basics of linear perspective.

Image information:
The Invention of Drawing (recto); Sketch of Lower Leg Bones of Human Skeleton (verso)
Joseph-Benoît Suvée
Belgian, about 1791
Black and white chalk on brown paper (recto); graphite (verso)_21 1/2 x 14 in.
87.GB.145

Tuesday
Jul032007

Ray and Charles Eames: An Illustrated Design Process

Currently teaching two classes, Sketching and Rendering for Industrial Design, and Basic Design, at Rhode Island School of Design, Drawing Connections readers will notice some entries are geared towards students. This is one such entry.

When developing drawing and design skills, it can be tremendously helpful to nearly simultaneously practice drawing and observe drawing practice. Practice. Practice. Find designers who use drawing as a part of their design process. Study the drawings.

The objectives of this exercise include:
1. comparing multiple examples of drawing styles and techniques;
2. understanding the act of drawing is an individual expression, and that each person will have their own drawing voice or style, unique from other people;
3. discovering appropriate drawing materials and substrates for design drawings;
4. considering how drawing can play a significant role in the design process;
5. exploring the use of line, from informal and rapid sketch, to the detailed finished rendering; and
6. seeing how designers employ the visual language of drawing to generate ideas for designs, think through a design problem, communicate plans to other audiences, and document important details in the process.

It does not take long to find a variety of examples, illustrating a considerable, respectable range of drawing approaches, styles and techniques.

For the purposes of participating in the exercise, this article features the work of the married design team, Ray (1912–1988) and Charles (1907–1978) Eames, American designers, who accomplished many works of industrial design, furniture design, art, graphic design, film, and architecture. Below is a photo of Ray and Charles Eames working on an exhibition model.

Below are some additional samples of their drawings. See a doodle-type drawing, by Charles Eames, which is themed about life around the house; collage drawing of an Eames chair, complete with a suite of accessories; and an exploded view of the Eames lounge chair. The bubble diagram, featured at the beginning of this article, illustrates the Ray and Charles Eames design process. If you are interested in learning more about the Eames’ work, explore the following links:
The Eames Office
The Eames Foundation
The Design Museum
“Exhibit: The Work of Ray and Charles Eames: A Legacy of Invention”
The Eames Gallery
Herman Miller



Tuesday
Jul032007

Poetry Comics: Every Line in a Drawing Counts

US readers: I hope you are having a good holiday! To help celebrate, here is a delightful comic, illustrating a well-known poem, from Poetry Comics, by William Carlos Williams.

This cartoonist’s style is direct, clear and not overly pretentious in the way in which it was drawn. Dave Morice, the artist, reframes the poem, imbuing it with more meaning. Before I saw this comic, I never thought of this poem as being funny. The line quality and content has everything to do with the viewer's perception. In a drawing, just as in a poem, every line or mark is important to the overall message.

"Every word in a poem counts. A word conjures an image, images juxtaposed to create something new or suggest something elusive. Comics, like poetry, are about simplifying and paring down. There is only so much space on a page and every mark must count. Visual concerns are crucial for both mediums. A cartoonist cascades panels across a page as a poet decides the placement of each line and letter." – from the National Association of Comics Art Educators

"Like poetry, sequential art has been around throughout history, with familiar examples found on cave wallsand Mayan temples. "A sequence of illustrations causes a reader to make links between the information portrayed in each. For instance, a picture of a man pointing a gun at another man followed by another picture of the second man falling to the floor creates the assumption in the reader that the gun was fired. We don't see the gun being fired, but we know that it happened. This effect is called 'closure' and is one of the main tricks of human perception that gives comics their power. Through closure, even seemingly unrelated pictures can be linked to create a sequence of events, or elements of a theme." – from an article, titled Comic Strips or Sequential Art, posted by the BBC

Also see:
Roz Chast
The Eric Carle Museum of Picture Book Art
Poetry Comics: A Literary Postcard Book, by Dave Morice
Collected Curios
Sequential Art Gallery
Quotes About Writing