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As a part of my teaching practice, through the blog Drawing Connections, I share with my students a variety of references from the field. Creativity, communication, invention, and design innovation are the broad thematic blog categories.

Entries in drawing (17)

Wednesday
Jun062007

30 Drawing Reference Books for Artists, Designers and Anyone Who Wants to Learn How-To Draw

Not so long ago, in Victorian times (1837-1901), the “drawing room” referred to a place for comfortable, relaxed entertaining. The expression is still used in Britain, and in France, the term is “salon,” in the U.S., the equivalent is “living room.” For artists, the drawing room is not confined to one environment, although the studio may be where much of the work is accomplished, it is everywhere the artist is. Drawing happens anywhere, anytime.

Drawing is an empowering life tool accessible to anyone who cares to use it. Perception, communication, persuasion, innovation and invention – drawing develops these skills, which are transferable to any profession or subject.

“If you can draw, even a little bit, you can express all kinds of ideas that might otherwise be lost - delights, frustrations, whatever torments you or pleases you.” – David Hockney

“In the design process, drawing is the act of thought.” – Richard MacCormac

“Drawings are an invaluable aid to my mathematical thinking and an essential ingredient of most of my mathematical expositions.” – Sir Roger Penrose

“I use drawing as an extension of my brain. It is the ones done with spontaneity that give me most pleasure and help crystalise an idea.” – Terence Conran

Learning to draw can be likened to learning a language. It requires exposure, observation, exploration and practice. Learn to draw. Expose your mind to the variety of methods, tools, techniques and forms of drawing. Visit an art museum and observe how artists use drawing. Read books about drawing. Experiment with drawing by trying it out, emulating different styles, using a variety of drawing materials. Make drawing a part of your routine. Make room for drawing.

A German proverb says, “Whoever cares to learn will always find a teacher.” Books are a great place to start. The following is an alphabetical list of recommended books relating to drawing for architecture, animation, exhibit design, fine art, industrial design, and interior design.

1. Drawing in Early Renaissance Italy: Revised Edition
2. Drawing Now: Eight Propositions
3. The Art of Robots
4. Classical Drawing Atelier: A Contemporary Guide to Traditional Studio Practice
5. Art of Drawing

6. Design Drawing
7. Drawing: A Creative Process
8. Drawing and Perceiving: Life Drawing for Students of Architecture and Design
9. Vitamin D: New Perspectives in Drawing
10. Keys to Drawing with Imagination: Strategies and Exercises for Gaining Confidence and Enhancing Your Creativity

11. Color Drawing: Design Drawing Skills and Techniques for Architects, Landscape Architects, and Interior Designers
12. Drawing Lessons from the Great Masters: 100 Great Drawings Analyzed, Figure Drawing Fundamentals Defined
13. Rapid Viz : A New Method for the Rapid Visualization of Ideas
14. Drawing From The Modern
15. Experimental Drawing

16. Drawing Shortcuts: Developing Quick Drawing Skills Using Today's Technology
17. Drawing and Designing with Confidence: A Step-by-Step Guide
18. Freehand Perspective for Designers: Including Shadow-Casting and Entourage
19. Force: Dynamic Life Drawing for Animators
20. Syd Mead's Sentury

21. Basic Perspective Drawing: A Visual Approach
22. Perspective Drawing and Applications
23. Perspective for Interior Designers
24. Drawing: A Contemporary Approach
25. Rendering in Mixed Media

26. From Ordinary To Extraordinary: Art & Design Problem Solving
27. Basic Visual Concepts And Principles For Artists, Architects And Designers
28. The Animator's Workbook: Step-By-Step Techniques of Drawn Animation
29. Life Drawing: A Journey to Self-Expression
30. Design Principles and Problems

Do you have a recommendation? Please share!

Image Reference: "Inconveniences of a Crowded Drawing Room", famous caricature by George Cruikshank, May 6th 1818.

Sunday
May202007

Imaginary City Envisioned in Drawings

In 1984 Gilles Tréhin, dedicated artist and artistic savant, began designing an imaginary city, Dumont d'Urville, using primarily drawings to communicate his vision.


Additional info:
Gilles Trehin.com
Gilles Trehin and the city of Urville

Friday
May182007

Google SketchUp: 3D Modeling for Everyone


All things being Google, why not a virtual world, one in which any individual can participate in the design process, conceptualizing architecture, landscapes and objects in 3D drawing models, then inserting them into a collectively built, real-world coordinate planet Earth? Google Earth. Yes, using Google SketchUp, anyone can draw. SketchUp is an accessible 3D drawing software tool that was developed for the early, conceptual stages of design. Google offers a FREE version, or a professional version for $495.

Info:
Google SketchUp. Explore a virtual model of Google #D Warehouse
See a wide array of model examples in the Featured Collections area of the Google 3D Warehouse.
Fred Bartels is doing some interesting drawing experiments. See examples of his work in the The Abstract Art section of the Google 3D Warehouse. The image shown here is titled Hidden Figure, by Fred Bartels.

Wednesday
May022007

The Drawing Center

Artists, when visiting NYC, make a point of visiting The Drawing Center, a special small art museum with a unique mission devoted to drawing.

The following is an excerpt from The Drawing Center website:

"The Drawing Center has been a unique and dynamic part of New York City's cultural life since 1977. The only not-for-profit institution in the country to focus on the exhibition of drawings, it was established to demonstrate the significance and diversity of drawings throughout history, to juxtapose work by master figures with work by emerging and under-recognized artists, and to stimulate public dialogue on issues of art and culture.

Called "one of the city's most highly respected small art museums" by The New York Times, The Drawing Center has become the country's preeminent venue for important contemporary and historical drawing exhibitions, attracting more than 55,000 visitors annually from the local area, across the country, and around the world. The Drawing Center has presented more than 230 exhibitions, published over 70 catalogs, and toured its exhibitions to prestigious museums around the world, including: Tate Britain, London, and the Museum of Contemporary Art, Sydney, Australia (The Stage of Drawing); the Museum of Contemporary Art, Barcelona, Spain (The Prinzhorn Collection); and the Santa Monica Museum of Art (3 x Abstraction).

The Drawing Center's acclaimed exhibitions encompass a wide range of drawing traditions, such as Shaker Gift Drawings, Rajasthani Miniatures, Plains Indians Ledger Drawings, and Norval Morrisseau/Copper Thunderbird. Through a uniquely interdisciplinary approach, The Drawing Center's exhibitions have also related drawing to science (Ocean Flowers: Impressions from Nature), architecture (Constant, Inigo Jones, Louis Kahn), literature (Victor Hugo, Henri Michaux), theater (Picasso's Parade, Theater on Paper), film (Sergei Eisenstein), music (Musical Manuscripts), and choreography (Trisha Brown).

Historical Exhibitions focus on both acknowledged and under-recognized masters (such as Michelangelo, J.M.W. Turner, James Ensor, Marcel Duchamp, and Hilma af Klint) while Contemporary Exhibitions illuminate unexplored aspects of works by major living artists (such as Richard Serra, Louise Bourgeois, Ellsworth Kelly, Anna Maria Maiolino, Ellen Gallagher, and Richard Tuttle), and Selections Exhibitions present innovative work of emerging artists who are contributing to new interpretations of drawing. In the Drawing Room, which was opened across the street from the main gallery in 1997, emerging and under-recognized artists are encouraged to create experimental, cross-disciplinary work and site-specific installations.

Examples of artists whose work was first introduced to a wide public at The Drawing Center are: Terry Winters, Glenn Ligon, Janine Antoni, William Kentridge, Kara Walker, Shahzia Sikander, Margaret Kilgallen, and Julie Mehretu. The Drawing Center's Viewing Program has encouraged the development of thousands of emerging artists through one-on-one portfolio reviews with a curator, and through its curated public Artists Registry of over 2,500 emerging artists."

The currect exhibition on view at The Drawing Center is, Gego, Between Transparency and the Invisible
April 21 – July 21, 2007
Featured Artwork: Gego, Untitled, 1980-1982. Watercolor and crayon with scored lines on white wove paper, 26 1/2 x 18 7/8 inches. Museum purchase with funds provided by the Latin Maecenas in memory of Marisol Broido, the Museum of Fine Arts, Houston. © Fundación Gego.

Saturday
Apr142007

Illustration Friday: Creative Community Forum for Artists

Illustration Friday is the art forum, the mission of which is to build a creative community for illustrators. IF features a weekly illustration challenge. A topic is posted every Friday. Participants have all week to come up with their own interpretation.

"It is a safe place to discuss creative issues, ask questions or just get feedback on your work. Want to find out how to get a certain texture? Ask. Want to find people in your area to start an illustration group? The art forum is a good place to start."
http://illustrationfriday.com